Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 151
... reason for the tragicomic mix , then , is in the nature of the action ; another reason lies in the mixture of ranks involved in most pastoral romances and plays , where disguise of great ones is a principal plot - device . With these ...
... reason for the tragicomic mix , then , is in the nature of the action ; another reason lies in the mixture of ranks involved in most pastoral romances and plays , where disguise of great ones is a principal plot - device . With these ...
Seite 295
... reason ) without words , and words are grown so false I am loath to prove reason with them . Reason - reality - can be expressed only in language and yet is falsified by language ; without language there can be no reason yet with ...
... reason ) without words , and words are grown so false I am loath to prove reason with them . Reason - reality - can be expressed only in language and yet is falsified by language ; without language there can be no reason yet with ...
Seite 355
... reason , Sir Andrew " ( 3.2.2 ) . The letter which Toby urges him to make " eloquent and full of inven- tion " ( 3.2.41-43 ) turns out to be as barren as his speech : " Wonder not ... why I do call thee [ a scurvy fellow ] for I will ...
... reason , Sir Andrew " ( 3.2.2 ) . The letter which Toby urges him to make " eloquent and full of inven- tion " ( 3.2.41-43 ) turns out to be as barren as his speech : " Wonder not ... why I do call thee [ a scurvy fellow ] for I will ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words