Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 136
... meaning to be its nature , then the nature of double meaning emerges from the fact that what he takes to be insight is actually blindness . Nowhere is the differ- ence between game and reality , which Jaques sup- presses , more evident ...
... meaning to be its nature , then the nature of double meaning emerges from the fact that what he takes to be insight is actually blindness . Nowhere is the differ- ence between game and reality , which Jaques sup- presses , more evident ...
Seite 140
... meaning is cancelled for reasons of political power ( Oliver and Duke Frederick ) , there is a corresponding increase in the degree of suppres- sion , with the double meaning present as the displaced element . If the game is pragmatized ...
... meaning is cancelled for reasons of political power ( Oliver and Duke Frederick ) , there is a corresponding increase in the degree of suppres- sion , with the double meaning present as the displaced element . If the game is pragmatized ...
Seite 145
... meaning reveals to what extent the semantics of language is left behind , though double meaning is still semantic to the extent that it has a form . But this serves primarily to focus on the processes whereby meaning is formed and to ...
... meaning reveals to what extent the semantics of language is left behind , though double meaning is still semantic to the extent that it has a form . But this serves primarily to focus on the processes whereby meaning is formed and to ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words