Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 185
... marriage determines the overtones of that ending . In Shakespearean criticism , as in general criticism of comedy , marriage has been portrayed as everything from a " beneficent arrangement through which man- kind achieves a maximum of ...
... marriage determines the overtones of that ending . In Shakespearean criticism , as in general criticism of comedy , marriage has been portrayed as everything from a " beneficent arrangement through which man- kind achieves a maximum of ...
Seite 186
... marriage to Orlando . The play ends , rather , with her silence , her apparent distance from Celia , and her marriage to Orlando . Like many other comedies , As You Like It investigates the effect of changing power structures , gender ...
... marriage to Orlando . The play ends , rather , with her silence , her apparent distance from Celia , and her marriage to Orlando . Like many other comedies , As You Like It investigates the effect of changing power structures , gender ...
Seite 252
... marriage of Adriana to Antipholus of Ephesus is left unreconstructed , " he urges a re - examination of genre : " this is a comedy of a different kind [ from Menander's romantic New Com- edy ] . Its entire argument prepares us not for ...
... marriage of Adriana to Antipholus of Ephesus is left unreconstructed , " he urges a re - examination of genre : " this is a comedy of a different kind [ from Menander's romantic New Com- edy ] . Its entire argument prepares us not for ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words