Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 81
Seite 75
... experience ' with ' And your experience makes you sad . I had rather have a fool to make me merry than experience to make me sad ' ( IV.1.24 ) . Here again the confrontation is open ; it is sterility versus the life - force . The ...
... experience ' with ' And your experience makes you sad . I had rather have a fool to make me merry than experience to make me sad ' ( IV.1.24 ) . Here again the confrontation is open ; it is sterility versus the life - force . The ...
Seite 146
... experience when the spec- tator takes on the role of third party , being the only person in a position to perceive the presence of the absent in the present . Although it is the characters that produce this simultaneity , they are ...
... experience when the spec- tator takes on the role of third party , being the only person in a position to perceive the presence of the absent in the present . Although it is the characters that produce this simultaneity , they are ...
Seite 158
... experience . Rosalind : And your experience makes you sad . ( IV.i.21-27 ) Jaques's specifically pastoral nature may also help to explain another of Shakespeare's invented , and appar- ently " unpastoral , " characters . The seventh and ...
... experience . Rosalind : And your experience makes you sad . ( IV.i.21-27 ) Jaques's specifically pastoral nature may also help to explain another of Shakespeare's invented , and appar- ently " unpastoral , " characters . The seventh and ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words