Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 71
... court , followed by a renewal of character and social standing in a rural setting , and culminating in an exultant return to court . The two settings in the play , the natural world of Arden and Duke Frederick's court , are seen as ...
... court , followed by a renewal of character and social standing in a rural setting , and culminating in an exultant return to court . The two settings in the play , the natural world of Arden and Duke Frederick's court , are seen as ...
Seite 151
... court- ier as well , especially a courtier disguised as a coun- tryman ? 23 Of course , by the time we arrive at this particular elaboration of pastoral agon , a radical dis- charge of original pastoral democracy has been effected ...
... court- ier as well , especially a courtier disguised as a coun- tryman ? 23 Of course , by the time we arrive at this particular elaboration of pastoral agon , a radical dis- charge of original pastoral democracy has been effected ...
Seite 168
... court , and of the life of spareness , the mean and sure estate , in the coun- try ) .45 But , in the dramatic context , Touchstone's speech emerges as a wordy nothing , pure tautology , court sophistry ; he undoubtedly hopes that its ...
... court , and of the life of spareness , the mean and sure estate , in the coun- try ) .45 But , in the dramatic context , Touchstone's speech emerges as a wordy nothing , pure tautology , court sophistry ; he undoubtedly hopes that its ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words