Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 92
... conventional set - piece expressed with a naive cynicism . But at the same time , Jaques's evo- cation of the trope of the theater of the world , however accidentally , can reinforce our understanding of man's inevitable folly and his ...
... conventional set - piece expressed with a naive cynicism . But at the same time , Jaques's evo- cation of the trope of the theater of the world , however accidentally , can reinforce our understanding of man's inevitable folly and his ...
Seite 242
... conventional narratio.10 Its verbal postures are those of a formal oration ( e.g. , 33 , 94 , 120 ) , insisting , as any good production will see and exploit , upon an explicitly oratorical relationship be- tween the speaker and his two ...
... conventional narratio.10 Its verbal postures are those of a formal oration ( e.g. , 33 , 94 , 120 ) , insisting , as any good production will see and exploit , upon an explicitly oratorical relationship be- tween the speaker and his two ...
Seite 243
... conventional language of the marriage debate between Luciana and Adriana ( II.i.44ff . ) : physical and meta- physical meanings of a word , the one natural , the other customary or conventional , are divorced ( so " at hand " becomes ...
... conventional language of the marriage debate between Luciana and Adriana ( II.i.44ff . ) : physical and meta- physical meanings of a word , the one natural , the other customary or conventional , are divorced ( so " at hand " becomes ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words