Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 190
... Comedy of Errors , see SC , Volumes 1 and 26 . INTRODUCTION Generations of critics considered The Comedy of Er- rors as mere farce , an apprentice work that gives no inkling of ... Comedy of Errors The Comedy of Errors Introduction Overviews.
... Comedy of Errors , see SC , Volumes 1 and 26 . INTRODUCTION Generations of critics considered The Comedy of Er- rors as mere farce , an apprentice work that gives no inkling of ... Comedy of Errors The Comedy of Errors Introduction Overviews.
Seite 201
... Comedy of Errors is The Riverside Shakespeare , ed . G. Blakemore Evans ( Boston , 1974 ) . 2 See John Arthos , " Shakespeare's Transformation of Plautus , " Comparative Drama 1 ( Winter , 1967-1968 ) : 239-253 . 3 See John Russell ...
... Comedy of Errors is The Riverside Shakespeare , ed . G. Blakemore Evans ( Boston , 1974 ) . 2 See John Arthos , " Shakespeare's Transformation of Plautus , " Comparative Drama 1 ( Winter , 1967-1968 ) : 239-253 . 3 See John Russell ...
Seite 257
... Comedy in The Comedy of Errors . " College English 25 ( 1964 ) : 493-97 . Berry , Edward . Shakespeare's Comic Rites . Cambridge : Cambridge University Press , 1984 . Berry Ralph . Shakespeare's Comedies : Explorations in Form ...
... Comedy in The Comedy of Errors . " College English 25 ( 1964 ) : 493-97 . Berry , Edward . Shakespeare's Comic Rites . Cambridge : Cambridge University Press , 1984 . Berry Ralph . Shakespeare's Comedies : Explorations in Form ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words