Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 275
... action of the comedy . But he is central to that action in his double role of being both a lover , or would - be lover , and an exponent of a particular attitude toward indulgence . The theme of indulgence , as we have said , is here ...
... action of the comedy . But he is central to that action in his double role of being both a lover , or would - be lover , and an exponent of a particular attitude toward indulgence . The theme of indulgence , as we have said , is here ...
Seite 282
... action would be thoroughly confused . The dra- matic purpose is served , in keeping with the total mu- sical effect of the play , and the confusion of the Italian novella avoided by the careful use of minor characters . Unlike ...
... action would be thoroughly confused . The dra- matic purpose is served , in keeping with the total mu- sical effect of the play , and the confusion of the Italian novella avoided by the careful use of minor characters . Unlike ...
Seite 298
... action are mutually can- celling : he is a contradictory embodiment of language and action , and the point of the duel is to bring him to recognition of this reality . Sir Toby persuades him first that language is an adequate substitute ...
... action are mutually can- celling : he is a contradictory embodiment of language and action , and the point of the duel is to bring him to recognition of this reality . Sir Toby persuades him first that language is an adequate substitute ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words