Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 284
... Viola takes over Valentine's thankless post . The older servingman is luckily not jealous , and kindly tells " Cesario " that she is like to be " much advanc'd , " that Orsino is by nature constant in his favors ; and with these ...
... Viola takes over Valentine's thankless post . The older servingman is luckily not jealous , and kindly tells " Cesario " that she is like to be " much advanc'd , " that Orsino is by nature constant in his favors ; and with these ...
Seite 290
... Viola to board and claim a prize : " Be clamorous , and leap all civil bonds , Rather than make unprofited return . " To demand profit is both uncivil and ungenerous , like the prospects of Malvolio instead of the generosity of Viola ...
... Viola to board and claim a prize : " Be clamorous , and leap all civil bonds , Rather than make unprofited return . " To demand profit is both uncivil and ungenerous , like the prospects of Malvolio instead of the generosity of Viola ...
Seite 326
... Viola . ' Orsino ! I have heard my father name him . He was a bachelor then . ' ( One notices Viola's first reference , ' He was a bachelor then . ' Her ' fell and cruel ' intent is quite clear ! ) Following the Captain's reference to ...
... Viola . ' Orsino ! I have heard my father name him . He was a bachelor then . ' ( One notices Viola's first reference , ' He was a bachelor then . ' Her ' fell and cruel ' intent is quite clear ! ) Following the Captain's reference to ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words