Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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... Elizabethan period and theatrical conventions . For example , the fact of male actors playing female characters , sometimes disguised as males , renders prob- lematic issues of sexual identity and the nature of gender . Such role ...
... Elizabethan period and theatrical conventions . For example , the fact of male actors playing female characters , sometimes disguised as males , renders prob- lematic issues of sexual identity and the nature of gender . Such role ...
Seite 11
... Elizabethan Drama ( New York , 1915 ) , p . 22 . 2 The principle book length study is V. O. Freeburg's Disguise Plots in Elizabethan Drama , in which he undertakes an anatomy of disguise plots , classifying them according to kinds of ...
... Elizabethan Drama ( New York , 1915 ) , p . 22 . 2 The principle book length study is V. O. Freeburg's Disguise Plots in Elizabethan Drama , in which he undertakes an anatomy of disguise plots , classifying them according to kinds of ...
Seite 366
... Elizabethan culture , relation to 19 : 195 Elizabethan politics , relation to 22 : 395 ; 28 : 203 Falstaff characterization 1 : 287 , 298 , 312 , 333 ; 25 : 245 ; 28 : 203 as comic figure 1 : 287 , 311 , 327 , 344 , 351 , 354 , 357 ...
... Elizabethan culture , relation to 19 : 195 Elizabethan politics , relation to 22 : 395 ; 28 : 203 Falstaff characterization 1 : 287 , 298 , 312 , 333 ; 25 : 245 ; 28 : 203 as comic figure 1 : 287 , 311 , 327 , 344 , 351 , 354 , 357 ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words