Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 34Gale Research Company, 1984 |
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Seite 210
... Antipholus of Syracuse and the two Dromios a sense especially of loss or transformation , and for Antipholus of Ephesus a need defiantly to assert his identity in a world that seems to go mad , thus lead to a breakdown of the social ...
... Antipholus of Syracuse and the two Dromios a sense especially of loss or transformation , and for Antipholus of Ephesus a need defiantly to assert his identity in a world that seems to go mad , thus lead to a breakdown of the social ...
Seite 230
... Antipholus on to tragedy . On the other hand , this might have been precipitated by Antipholus of Ephesus , the more violent of the twins . The two Dromios , however , not only provide the low humour , the backchat , the healthy ...
... Antipholus on to tragedy . On the other hand , this might have been precipitated by Antipholus of Ephesus , the more violent of the twins . The two Dromios , however , not only provide the low humour , the backchat , the healthy ...
Seite 254
... Antipholus is courting her sister , she admits , " My heart prays for him , though my tongue do curse " ( V.ii.28 ) . She is trapped in a painful cycle . Feeling rejected , she desires her husband all the more desperately , but her ...
... Antipholus is courting her sister , she admits , " My heart prays for him , though my tongue do curse " ( V.ii.28 ) . She is trapped in a painful cycle . Feeling rejected , she desires her husband all the more desperately , but her ...
Inhalt
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words