The English Hymn: A Critical and Historical StudyOUP Oxford, 10.07.1997 - 564 Seiten D.H. Lawrence, writing of the poems that had meant most to him, said that they were `still not woven so deep in me as the rather banal Nonconformist hymns that penetrated through and through my childhood'. It is not easy to account for this, and most writing about hymns has not helped because it has concentrated on their content and function in worship and liturgy. In the present book the author tries to account for feelings like Lawrence's by examining the hymn form and its progress through the centuries from the Reformation to the present day. He begins by discussing the status of a hymn text and relates it to the demands made upon it by the needs of singing. A chronological study then traces the development of the English hymn, from the metrical psalms of the Reformation, through the seventeenth century and Isaac Watts to the Wesleys, Cowper, Toplady, and others, and then to the great flood of hymn writing that occurred during the Victorian period, together with the great success of Hymns Ancient and Modern. There are chapters on American hymnody and women's hymn writing, and sections on gospel hymns and the translation of German hymnody. A final chapter takes the story into the twentieth century, with a brief postscript on the revival of hymn writing since 1960. |
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Ergebnisse 1-5 von 88
Seite vii
... hymns in the first part of Chapter 2. I am convinced that the tunes are important, but I am not qualified to write about them; the best examination of them is (in my view) John Wilson's essay 'Looking at Hymn Tunes: The Objective.
... hymns in the first part of Chapter 2. I am convinced that the tunes are important, but I am not qualified to write about them; the best examination of them is (in my view) John Wilson's essay 'Looking at Hymn Tunes: The Objective.
Seite 4
... John Mason Neale, 'must be the life-expression of all hearts.' 7 In saying this, Neale was pointing to a sense in which hymns should be concerned with the life of the heart, using the heart as a metonymy for the whole person, spiritual ...
... John Mason Neale, 'must be the life-expression of all hearts.' 7 In saying this, Neale was pointing to a sense in which hymns should be concerned with the life of the heart, using the heart as a metonymy for the whole person, spiritual ...
Seite 23
... (eds.), N. F. S. Grundtvig, Tradition and Renewal, trans. Edward Broadbridge (Copenhagen, 1983), 166. See Ch. 6, 'John Cosin', 85. 49 relationship between couplets such as speech/writing'50 is one which corresponds THE SINGING OF HYMNS 23.
... (eds.), N. F. S. Grundtvig, Tradition and Renewal, trans. Edward Broadbridge (Copenhagen, 1983), 166. See Ch. 6, 'John Cosin', 85. 49 relationship between couplets such as speech/writing'50 is one which corresponds THE SINGING OF HYMNS 23.
Seite 25
... (Collegeville, Minn., 1979), p. v. T. S. Eliot, 'Reflections on Vers libre', in John Hayward (ed.), Selected Prose (Harmondsworth, 1953), 88–9. 54 It is arguable, indeed, that the metrical basis of hymns THE SINGING OF HYMNS 25.
... (Collegeville, Minn., 1979), p. v. T. S. Eliot, 'Reflections on Vers libre', in John Hayward (ed.), Selected Prose (Harmondsworth, 1953), 88–9. 54 It is arguable, indeed, that the metrical basis of hymns THE SINGING OF HYMNS 25.
Seite 27
... John Crowe Ransom called 'the meter-and-meaning process'. 57. Words. and. Lines. A strong first line not only signals the beginning of the work, but it calls the congregation to attention, and it demands a reader/singer's respect. John ...
... John Crowe Ransom called 'the meter-and-meaning process'. 57. Words. and. Lines. A strong first line not only signals the beginning of the work, but it calls the congregation to attention, and it demands a reader/singer's respect. John ...
Inhalt
1 | |
22 | |
42 | |
George Wither and Others | 57 |
5 The SeventeenthCentury Anglican Tradition | 81 |
Puritan Psalms and Hymns | 103 |
7 Isaac Watts | 133 |
8 After Watts | 171 |
Montgomery Heber Keble | 300 |
13 The Victorian Hymn | 335 |
14 The Oxford Movement and the Revival of Ancient Hymnody | 355 |
15 Hymns Ancient and Modern | 387 |
16 Victorian Women HymnWriters | 422 |
17 American Hymnody | 461 |
18 Different Traditions | 486 |
19 Into the Twentieth Century | 511 |
9 John and Charles Wesley | 205 |
10 Charles Wesley and His Art | 230 |
11 After the Wesleys | 265 |
Select Bibliography | 533 |
Index | 547 |
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Ancient appears becomes begins called century Charles Wesley Christ Christian Church Collection comes common cross darkness death described divine earth effect England English example experience expression faith feel final followed George give glory grace hand heart heaven Holy hope human hymn-writers hymnody hymns idea important included individual Jesus John kind King language later light living London Lord meaning metre metrical mind nature never night original particular pattern phrase poem poet poetry praise prayer Preface Psalm published reading religion religious rest rhetoric rhyme sacred saints seen sense sing singer Songs soul sound Spirit strong suggests thee things thou thought tradition translation tune turns verse voice Watts Watts's Wesley Wesley's whole worship writing written wrote