Impossible Desires: Queer Diasporas and South Asian Public Cultures
Duke University Press, 19.04.2005 - 262 Seiten
By bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive.
Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching.
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Queer Diasporas and South Asian Public Cultures Gayatri Gopinath ... I feel
privileged to have been part of a community of scholars, activists, and artists that
made queer/progressive South Asian culture and politics coalesce during those ...
Queer Diasporas and South Asian Public Cultures Gayatri Gopinath ... Stephen
Frears, 1985), British Pakistani screenwriter Hanif Kureishi's groundbreaking film
about queer interracial desire in Thatcherite Britain, the white, working-class gay
If conventional diasporic discourse is marked by this backward glance, this ''
overwhelming nostalgia for lost origins, for 'times past,'''∏ a queer diaspora
mobilizes questions of the past, memory, and nostalgia for radically di√erent
Suturing ''queer'' to ''diaspora'' thus recuperates those desires, practices, and
subjectivities that are rendered impossible and unimaginable within conventional
diasporic and nationalist imaginaries. A consideration of queerness, in other ...
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Queering South Asian Popular Music in the Diaspora
Housing Masculinity in A House for Mr Biswas Surviving Sabu and East Is East
Queer Cinematic Representation and the Perils of Translation
The Transnational Trajectories of Fire and The Quilt
Funny Boy and Cereus Blooks at Night
Queer Homes in Diaspora