Impossible Desires: Queer Diasporas and South Asian Public CulturesDuke University Press, 19.04.2005 - 262 Seiten By bringing queer theory to bear on ideas of diaspora, Gayatri Gopinath produces both a more compelling queer theory and a more nuanced understanding of diaspora. Focusing on queer female diasporic subjectivity, Gopinath develops a theory of diaspora apart from the logic of blood, authenticity, and patrilineal descent that she argues invariably forms the core of conventional formulations. She examines South Asian diasporic literature, film, and music in order to suggest alternative ways of conceptualizing community and collectivity across disparate geographic locations. Her agile readings challenge nationalist ideologies by bringing to light that which has been rendered illegible or impossible within diaspora: the impure, inauthentic, and nonreproductive. Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching. |
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... body becomes a historical archive for both individuals and communities , one that is excavated through the very act of desiring the racial Other . For Omar , desiring Johnny is irrevocably intertwined with the legacies of British ...
... bodies to a white imperial gaze by turning the gaze back onto Johnny's own racist past . The scene's ambiguous ending - where Omar closes his eyes and succumbs to Johnny's caresses — may suggest that Omar gives in to the historical ...
... body that these histories are brought into the present ; it is also through the queer diasporic body that their legacies are imaginatively con- tested and transformed . Queer diasporic cultural forms thus enact what Roach terms ...
... bodies that the borders and bound- aries of communal identities are formed . But as I argue in chapter 5 , this body of work has been less successful in fully addressing the ways in which dominant nationalism institutes heterosexuality ...
... bodies of women . Just as discourses of female sexuality are central to the mutual constitution of diaspora and nation , so too is the relation between diasporic culture and globalization one that is mediated through dominant gender and ...
Inhalt
1 | |
Queering South Asian Popular Music in the Diaspora | 29 |
Housing Masculinity in A House for Mr Biswas Surviving Sabu and East Is East | 63 |
Queer Cinematic Representation and the Perils of Translation | 93 |
The Transnational Trajectories of Fire and The Quilt | 131 |
Funny Boy and Cereus Blooks at Night | 161 |
Queer Homes in Diaspora | 187 |
Notes | 195 |
Bibliography | 221 |
Filmography | 235 |
Index | 237 |
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Impossible Desires: Queer Diasporas and South Asian Public Cultures Gayatri Gopinath Keine Leseprobe verfügbar - 2005 |