Im Buch
Ergebnisse 1-3 von 65
Seite 95
Uncle , with a piercing look , sharply turns half - way to Brother . Uncle ( sternly ) : Keep this boldness for the Effendies and their guards who are spreading like a sickness all over the mountain . Voice of Relative ( whispering from ...
Uncle , with a piercing look , sharply turns half - way to Brother . Uncle ( sternly ) : Keep this boldness for the Effendies and their guards who are spreading like a sickness all over the mountain . Voice of Relative ( whispering from ...
Seite 104
He stops and turns around . The two girls walk on , past him , and stop a few yards ahead , without turning around . The three cousins walk hurriedly towards Murad . He politely nods to each cousin in turn . They talk , then Murad lifts ...
He stops and turns around . The two girls walk on , past him , and stop a few yards ahead , without turning around . The three cousins walk hurriedly towards Murad . He politely nods to each cousin in turn . They talk , then Murad lifts ...
Seite 110
He turns round , looking towards the barbed - wire fence . At a distance , behind the fence , as if he was always there , Wanys stands observing the equipment , when suddenly he notices Ahmed Kamal , too .
He turns round , looking towards the barbed - wire fence . At a distance , behind the fence , as if he was always there , Wanys stands observing the equipment , when suddenly he notices Ahmed Kamal , too .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
appears argue authority becomes body breast breast cancer Brother called character cinema claims cognitive concept constructed continues critical culture discourse dream effect emotions example expression face fact fag hag feel female figure film gender groups hand Hindu human idea identity India individual intelligence interest interpretations kind language leave lives look male means Michigan moral movement moves Murad narrative nature object opening original parody person play political popular position possible present produced question reason relations relationship remains represented response Right scene Sedgwick seems seen sense sexual social society space stands story studies suggests symbolic Tank Girl television theory things thought traditional turns Ulysses Uncle understand University violence Wanys woman women York