Im Buch
Ergebnisse 1-3 von 61
Seite 68
with figures filling the entire space , leaving no gaps , the Moslem arabesque does not induce the sense of suffocation one experiences in the regular division of the plane works of M.C. Escher , an admirer of Moslem arabesques .
with figures filling the entire space , leaving no gaps , the Moslem arabesque does not induce the sense of suffocation one experiences in the regular division of the plane works of M.C. Escher , an admirer of Moslem arabesques .
Seite 148
First sense : he awoke and came to the realization that what he had been experiencing was in reality only a dream . Second sense : he awoke , but this awakening was still part of dreaming . What distinguishes the dream of someone ...
First sense : he awoke and came to the realization that what he had been experiencing was in reality only a dream . Second sense : he awoke , but this awakening was still part of dreaming . What distinguishes the dream of someone ...
Seite 56
Not only the ' official ' ideology of communal parties contained in its manifestoes and pronouncements , but as well the myths , common sense , faiths and folklore it draws on , join to comprise the 56 Discourse 21.2.
Not only the ' official ' ideology of communal parties contained in its manifestoes and pronouncements , but as well the myths , common sense , faiths and folklore it draws on , join to comprise the 56 Discourse 21.2.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
appears argue authority becomes body breast breast cancer Brother called character cinema claims cognitive concept constructed continues critical culture discourse dream effect emotions example expression face fact fag hag feel female figure film gender groups hand Hindu human idea identity India individual intelligence interest interpretations kind language leave lives look male means Michigan moral movement moves Murad narrative nature object opening original parody person play political popular position possible present produced question reason relations relationship remains represented response Right scene Sedgwick seems seen sense sexual social society space stands story studies suggests symbolic Tank Girl television theory things thought traditional turns Ulysses Uncle understand University violence Wanys woman women York