Im Buch
Ergebnisse 1-3 von 50
Seite 193
Kamal Boullata was born in Jerusalem in 1942 and presently works and lives in Menton , southern France . He participated in the Palestinian exhibit at the Institut du Monde Arabe , Paris , and wrote the exhibit's catalogue .
Kamal Boullata was born in Jerusalem in 1942 and presently works and lives in Menton , southern France . He participated in the Palestinian exhibit at the Institut du Monde Arabe , Paris , and wrote the exhibit's catalogue .
Seite 156
When capitalist social relations accord certain people the status of deviants , it is not surprising that little is done to provide the necessary social and economic conditions for young people to acquire dignity and hope in their lives ...
When capitalist social relations accord certain people the status of deviants , it is not surprising that little is done to provide the necessary social and economic conditions for young people to acquire dignity and hope in their lives ...
Seite 158
They live in crowded facilities behind a metal fence trimmed with barbed wire . ... prohibits the residents of Orion Avenue from placing their bodies in relation to the social interactions and determinate forces that shape their lives .
They live in crowded facilities behind a metal fence trimmed with barbed wire . ... prohibits the residents of Orion Avenue from placing their bodies in relation to the social interactions and determinate forces that shape their lives .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
appears argue authority becomes body breast breast cancer Brother called character cinema claims cognitive concept constructed continues critical culture discourse dream effect emotions example expression face fact fag hag feel female figure film gender groups hand Hindu human idea identity India individual intelligence interest interpretations kind language leave lives look male means Michigan moral movement moves Murad narrative nature object opening original parody person play political popular position possible present produced question reason relations relationship remains represented response Right scene Sedgwick seems seen sense sexual social society space stands story studies suggests symbolic Tank Girl television theory things thought traditional turns Ulysses Uncle understand University violence Wanys woman women York