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Seite 99
Brother ( firmly cutting in ) : Leave the dead in peace ! Relative ( nervously carried away ) : You mean leave them to the Effendys ? Relative moves impatiently towards Brother . Relative : What deal can you make with these arrogant ...
Brother ( firmly cutting in ) : Leave the dead in peace ! Relative ( nervously carried away ) : You mean leave them to the Effendys ? Relative moves impatiently towards Brother . Relative : What deal can you make with these arrogant ...
Seite 165
I was supposed to leave for Berlin to shoot Far from Home . I had my brother and my assistant with me , like bodyguards . At the airport , they didn't want to let me leave because I hadn't deposited my passport with SAVAK 24 hours ...
I was supposed to leave for Berlin to shoot Far from Home . I had my brother and my assistant with me , like bodyguards . At the airport , they didn't want to let me leave because I hadn't deposited my passport with SAVAK 24 hours ...
Seite 167
The sixth day , his friend leaves to go to his father's funeral . He stays . At the end , we don't know if this man is going to decide to leave or stay in Germany . I organized the film in such a way that during each of ...
The sixth day , his friend leaves to go to his father's funeral . He stays . At the end , we don't know if this man is going to decide to leave or stay in Germany . I organized the film in such a way that during each of ...
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Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
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appears argue authority becomes body breast breast cancer Brother called character cinema claims cognitive concept constructed continues critical culture discourse dream effect emotions example expression face fact fag hag feel female figure film gender groups hand Hindu human idea identity India individual intelligence interest interpretations kind language leave lives look male means Michigan moral movement moves Murad narrative nature object opening original parody person play political popular position possible present produced question reason relations relationship remains represented response Right scene Sedgwick seems seen sense sexual social society space stands story studies suggests symbolic Tank Girl television theory things thought traditional turns Ulysses Uncle understand University violence Wanys woman women York