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Seite 40
... leave aside the slowness , the occasional lethargy of its rhythm , the thinness of certain anonymous characters . ... the salon of Tunis decadence in which the blind musician ( perhaps the film's most accomplished character ) gives ...
... leave aside the slowness , the occasional lethargy of its rhythm , the thinness of certain anonymous characters . ... the salon of Tunis decadence in which the blind musician ( perhaps the film's most accomplished character ) gives ...
Seite 74
K.C. Sudarshan , RSS boudhik pramukh , or principal intellectual , made the instrumental character of the movement explicit : Beliefs never have rationale or logic . The Ram Janmabhoomi in Ayodhya is a symbol .
K.C. Sudarshan , RSS boudhik pramukh , or principal intellectual , made the instrumental character of the movement explicit : Beliefs never have rationale or logic . The Ram Janmabhoomi in Ayodhya is a symbol .
Seite 171
( West 15 ) In numerous scenes , such as when Charlie Wade ( Kristofferson ) is killed , the present day narrative begins in one character's voice , the set remains stable but the next characters we see are those in the past ...
( West 15 ) In numerous scenes , such as when Charlie Wade ( Kristofferson ) is killed , the present day narrative begins in one character's voice , the set remains stable but the next characters we see are those in the past ...
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Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
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