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Seite 115
Post - Human Romance : Parody and Pastiche in Making Mr. Right and Tank Girl Marilyn Manners and R. L. Rutsky I. Although a good deal of attention has been devoted to the changing role of women in science - fiction films - particularly ...
Post - Human Romance : Parody and Pastiche in Making Mr. Right and Tank Girl Marilyn Manners and R. L. Rutsky I. Although a good deal of attention has been devoted to the changing role of women in science - fiction films - particularly ...
Seite 117
postmodernism , and on this point Making Mr. Right and Tank Girl follow quite closely Fredric Jameson's classic definition : The postmodernisms ( sic ) have , in fact , been fascinated precisely by this whole ' degraded ' landscape of ...
postmodernism , and on this point Making Mr. Right and Tank Girl follow quite closely Fredric Jameson's classic definition : The postmodernisms ( sic ) have , in fact , been fascinated precisely by this whole ' degraded ' landscape of ...
Seite 121
Even the title of Making Mr. Right multiplies in meaning . “ Making ” has , of course , at least two senses in the film : on a literal level , Jeff Peters makes Ulysses , constructs him , but it is Frankie who is brought in to socialize ...
Even the title of Making Mr. Right multiplies in meaning . “ Making ” has , of course , at least two senses in the film : on a literal level , Jeff Peters makes Ulysses , constructs him , but it is Frankie who is brought in to socialize ...
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Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
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appears argue authority becomes body breast breast cancer Brother called character cinema claims cognitive concept constructed continues critical culture discourse dream effect emotions example expression face fact fag hag feel female figure film gender groups hand Hindu human idea identity India individual intelligence interest interpretations kind language leave lives look male means Michigan moral movement moves Murad narrative nature object opening original parody person play political popular position possible present produced question reason relations relationship remains represented response Right scene Sedgwick seems seen sense sexual social society space stands story studies suggests symbolic Tank Girl television theory things thought traditional turns Ulysses Uncle understand University violence Wanys woman women York