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Seite 105
Murad ( in self - pity ) : And since when was anybody interested in poor Murad ? Murad turns and walks on followed by the three cousins . Murad : Everybody is interested in Ayyub . And where is Ayyub at this moment ?
Murad ( in self - pity ) : And since when was anybody interested in poor Murad ? Murad turns and walks on followed by the three cousins . Murad : Everybody is interested in Ayyub . And where is Ayyub at this moment ?
Seite 111
Scene XII Murad's Hiding Place Interior . Day . Murad bows in the doorway , revealing Zyna irritated and confused . Murad ( apologizing ) : Master Wanys , do come in from that dusty wind . ( He steps back ) No one should see us together ...
Scene XII Murad's Hiding Place Interior . Day . Murad bows in the doorway , revealing Zyna irritated and confused . Murad ( apologizing ) : Master Wanys , do come in from that dusty wind . ( He steps back ) No one should see us together ...
Seite 120
Murad falls flat on the ground weeping . Wanys stands trembling with rage . Murad ( lamenting ) : I am a poor wretch hated by all ... Wanys pulls him up . Wanys : Prove your words ! Who killed him ? Speak ! Murad : The boat he set sail ...
Murad falls flat on the ground weeping . Wanys stands trembling with rage . Murad ( lamenting ) : I am a poor wretch hated by all ... Wanys pulls him up . Wanys : Prove your words ! Who killed him ? Speak ! Murad : The boat he set sail ...
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Inhalt
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Thee in Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Urheberrecht | |
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appears argue authority becomes body breast breast cancer Brother called character cinema claims cognitive concept constructed continues critical culture discourse dream effect emotions example expression face fact fag hag feel female figure film gender groups hand Hindu human idea identity India individual intelligence interest interpretations kind language leave lives look male means Michigan moral movement moves Murad narrative nature object opening original parody person play political popular position possible present produced question reason relations relationship remains represented response Right scene Sedgwick seems seen sense sexual social society space stands story studies suggests symbolic Tank Girl television theory things thought traditional turns Ulysses Uncle understand University violence Wanys woman women York