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A School of Criticism
Comedy in the Grand Style
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accept achieved action actor actual already appear audience aware become belong bring century Chapter characters comedy comes common complete concerned condition Congreve course Criticism death drama dramatist effect Elizabethan English event example existence expect experience expression fact feel fully give given Grand hand happen human idea imagined Jacobean judgment kind language least less lines literature living London look major matter means measure merely mind mode moment move nature never notion novel offered particular past pattern performance perhaps play poem poet poetry possible present reader reason recognise referred relation response scene seems seen sense separate Shakespeare society speak speech stage Style suggest theatre things thought tion tragedy tragic true turn ultimate whole writing