Bertolt Brecht JournalsRoutledge, 1993 - 556 Seiten From Scandinavia across Russia to Hollywood, then on, via Switzerland and a flirtation with Salzburg, back to his own disappointing country, Brecht makes shrewd if sometimes harsh judgements on the people he meets. Some people included are: Thomas Mann, the Frankfurt philosophers, Schonberg, Isherwood, D'Annunzio, Ezra Pound, Wordsworth, Margaret Steffin, and more. |
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Seite 47
... proletariat sees nations as people fighting one another , as a unit it sees nations as being against it , the proletariat . only the realisation of their simultaneous unity and disunity enables it to pursue a rational policy . it is the ...
... proletariat sees nations as people fighting one another , as a unit it sees nations as being against it , the proletariat . only the realisation of their simultaneous unity and disunity enables it to pursue a rational policy . it is the ...
Seite 85
... proletariat – in which case the proletariat for that span of time has bourgeois artists representing its cause . we for our part may tell ourselves that to be a proletarian constitutes neither an advantage nor positive contribution ...
... proletariat – in which case the proletariat for that span of time has bourgeois artists representing its cause . we for our part may tell ourselves that to be a proletarian constitutes neither an advantage nor positive contribution ...
Seite 189
... proletariat ( as the productive force ) does not mean that a war which is disagreeable to the proletariat cannot be waged . a revolutionary situation only comes into being when eg it takes the individual initiative of the proletariat to ...
... proletariat ( as the productive force ) does not mean that a war which is disagreeable to the proletariat cannot be waged . a revolutionary situation only comes into being when eg it takes the individual initiative of the proletariat to ...
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a-effect actor Anna Seghers April army artists audience August become Bergner Berlin Bertolt Brecht bomb bourgeois bourgeoisie Brecht British Chalk Circle Communist culture December Dessau dialectics Duchess of Malfi East Berlin Eisler empathy Ensemble epic epic theatre everything exile fascism Fear and Misery feuchtwanger film finnish Galileo german Gorelik grete Hanns Eisler heinrich mann Helene Weigel helli hitler Hollywood interest July June kortner look Lukács Mann marxism Moscow Mother Courage Munich naturally Nazi Neher novel November October PERSON OF SZECHWAN Piscator play poems political production proletariat Puntila realistic rehearsals Reich russians Ruth Berlau scene Schweyk seems social socialist song Soviet stage Stalin steff story struggle SZECHWAN theatre things Threepenny Opera translation USSR Viertel Weigel Weill workers writing York Zurich