Bertolt Brecht JournalsFrom Scandinavia across Russia to Hollywood, then on, via Switzerland and a flirtation with Salzburg, back to his own disappointing country, Brecht makes shrewd if sometimes harsh judgements on the people he meets. Some people included are: Thomas Mann, the Frankfurt philosophers, Schonberg, Isherwood, D'Annunzio, Ezra Pound, Wordsworth, Margaret Steffin, and more. |
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Decadence , Realism , Formalism i 27 jul 38 the moscow clique is praising hay's play have to the red skies . it is true socialist realism . new , because old . the work of a genius , untouched by the fashions and confusions of his times ...
Decadence , Realism , Formalism i 27 jul 38 the moscow clique is praising hay's play have to the red skies . it is true socialist realism . new , because old . the work of a genius , untouched by the fashions and confusions of his times ...
Seite 98
... caused extra work which amplified the weight of the exchanges . the style of the play dissolved into the external appearance of the manuscript , it is a little fatted calf of a play . more landscape in it than any other play of mine ...
... caused extra work which amplified the weight of the exchanges . the style of the play dissolved into the external appearance of the manuscript , it is a little fatted calf of a play . more landscape in it than any other play of mine ...
Seite 521
Hearing that the Zurich Schauspielhaus wanted to do The Threepenny Opera in the next season , with Steckel as director , Brecht proposed that Albers should play Macheath ; Weill however , who wanted to make a new agreement about the ...
Hearing that the Zurich Schauspielhaus wanted to do The Threepenny Opera in the next season , with Steckel as director , Brecht proposed that Albers should play Macheath ; Weill however , who wanted to make a new agreement about the ...
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Inhalt
27 | 11 |
Editorial Notes | 461 |
Select Bibliography | 533 |
Urheberrecht | |
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actor appear army asked August become Berlin bourgeois bourgeoisie Brecht bring called character comes Courage course December develop directed discuss effect Eisler epigrams everything fact feel film forces german give hand head hitler idea interest italy July June kind later leave less letter living look March marxism matter means Moscow Mother move naturally Nazi never notes November October once party performed person play poems political possible present production published question reports russians scene seems social song Soviet stage stand story suggested taken tell theatre things thought translation turn whole workers writing written York