Bertolt Brecht JournalsRoutledge, 1993 - 556 Seiten From Scandinavia across Russia to Hollywood, then on, via Switzerland and a flirtation with Salzburg, back to his own disappointing country, Brecht makes shrewd if sometimes harsh judgements on the people he meets. Some people included are: Thomas Mann, the Frankfurt philosophers, Schonberg, Isherwood, D'Annunzio, Ezra Pound, Wordsworth, Margaret Steffin, and more. |
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Seite 192
... moral object into a moral subject . morality becomes production . the artist now not only has a responsibility towards society , he makes society face its own responsibilities . in short , society ceases to have the character of an ...
... moral object into a moral subject . morality becomes production . the artist now not only has a responsibility towards society , he makes society face its own responsibilities . in short , society ceases to have the character of an ...
Seite 308
... moral which i have always found slightly worrying . precisely because i was trying here to follow history and had no moral interest , a moral emerges , and i am not happy about it . g [ alileo ] is as little able to resist blurting out ...
... moral which i have always found slightly worrying . precisely because i was trying here to follow history and had no moral interest , a moral emerges , and i am not happy about it . g [ alileo ] is as little able to resist blurting out ...
Seite 383
... moral tone which cannot even be interpreted in terms of craft morality . since snake - oil salesmen can't have any real craft morality , in any case the actor is bound by only one moral precept : not to lie , for the sake , say , of some ...
... moral tone which cannot even be interpreted in terms of craft morality . since snake - oil salesmen can't have any real craft morality , in any case the actor is bound by only one moral precept : not to lie , for the sake , say , of some ...
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a-effect actor Anna Seghers April army artists audience August become Bergner Berlin Bertolt Brecht bomb bourgeois bourgeoisie Brecht British Chalk Circle Communist culture December Dessau dialectics Duchess of Malfi East Berlin Eisler empathy Ensemble epic epic theatre everything exile fascism Fear and Misery feuchtwanger film finnish Galileo german Gorelik grete Hanns Eisler heinrich mann Helene Weigel helli hitler Hollywood interest July June kortner look Lukács Mann marxism Moscow Mother Courage Munich naturally Nazi Neher novel November October PERSON OF SZECHWAN Piscator play poems political production proletariat Puntila realistic rehearsals Reich russians Ruth Berlau scene Schweyk seems social socialist song Soviet stage Stalin steff story struggle SZECHWAN theatre things Threepenny Opera translation USSR Viertel Weigel Weill workers writing York Zurich