Bertolt Brecht JournalsRoutledge, 1993 - 556 Seiten From Scandinavia across Russia to Hollywood, then on, via Switzerland and a flirtation with Salzburg, back to his own disappointing country, Brecht makes shrewd if sometimes harsh judgements on the people he meets. Some people included are: Thomas Mann, the Frankfurt philosophers, Schonberg, Isherwood, D'Annunzio, Ezra Pound, Wordsworth, Margaret Steffin, and more. |
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Seite 81
... effect ( a - effect ) will need to be introduced , which is an artistic effect too and also leads to a theatrical experience . it consists in the reproduction of real - life incidents on the stage in such a way as to underline their ...
... effect ( a - effect ) will need to be introduced , which is an artistic effect too and also leads to a theatrical experience . it consists in the reproduction of real - life incidents on the stage in such a way as to underline their ...
Seite 127
... effect can also be used on a suggestive basis . asiatic acting demonstrates this . these are a - effects of a ' demonic ' kind which do not come into consideration for our theatre . in actors there is sometimes a fear of being unable to ...
... effect can also be used on a suggestive basis . asiatic acting demonstrates this . these are a - effects of a ' demonic ' kind which do not come into consideration for our theatre . in actors there is sometimes a fear of being unable to ...
Seite 439
... effect on them unless it's famous . everything original seems idio- syncratic , everything fresh impertinent , everything light superficial , everything serious importunate ; in fact nothing at all has an effect on a person actually ...
... effect on them unless it's famous . everything original seems idio- syncratic , everything fresh impertinent , everything light superficial , everything serious importunate ; in fact nothing at all has an effect on a person actually ...
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