Bertolt Brecht JournalsRoutledge, 1993 - 556 Seiten From Scandinavia across Russia to Hollywood, then on, via Switzerland and a flirtation with Salzburg, back to his own disappointing country, Brecht makes shrewd if sometimes harsh judgements on the people he meets. Some people included are: Thomas Mann, the Frankfurt philosophers, Schonberg, Isherwood, D'Annunzio, Ezra Pound, Wordsworth, Margaret Steffin, and more. |
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Seite 125
... actor in the present theatre empathising himself and inducing the audience to empathise ( suggestive empathy ) are of course identical . he finds it hard to imagine the one without the other or put the one into practice without the ...
... actor in the present theatre empathising himself and inducing the audience to empathise ( suggestive empathy ) are of course identical . he finds it hard to imagine the one without the other or put the one into practice without the ...
Seite 260
... actor . last week kortner was virtually sure he had the part of litvinov in MISSION TO MOSCOW and then homolka got ... actor is often something outside morality ; he derives his morality exclusively from his attitude to what he produces ...
... actor . last week kortner was virtually sure he had the part of litvinov in MISSION TO MOSCOW and then homolka got ... actor is often something outside morality ; he derives his morality exclusively from his attitude to what he produces ...
Seite 452
... acting , it is a type of acting that brings out the contradiction , which is there in the nature of things , between the actor and the character he is acting . the actor's ( social ) criticism of the figure , to whom he must naturally ...
... acting , it is a type of acting that brings out the contradiction , which is there in the nature of things , between the actor and the character he is acting . the actor's ( social ) criticism of the figure , to whom he must naturally ...
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a-effect actor Anna Seghers April army artists audience August become Bergner Berlin Bertolt Brecht bomb bourgeois bourgeoisie Brecht British Chalk Circle Communist culture December Dessau dialectics Duchess of Malfi East Berlin Eisler empathy Ensemble epic epic theatre everything exile fascism Fear and Misery feuchtwanger film finnish Galileo german Gorelik grete Hanns Eisler heinrich mann Helene Weigel helli hitler Hollywood interest July June kortner look Lukács Mann marxism Moscow Mother Courage Munich naturally Nazi Neher novel November October PERSON OF SZECHWAN Piscator play poems political production proletariat Puntila realistic rehearsals Reich russians Ruth Berlau scene Schweyk seems social socialist song Soviet stage Stalin steff story struggle SZECHWAN theatre things Threepenny Opera translation USSR Viertel Weigel Weill workers writing York Zurich