Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12Gale Research Company, 1984 |
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Seite 163
... Lovers , to bed , " but for Kean it was " Lovers , away " [ V.i. 368 ] . It was almost certainly the clever hand of James Robinson Planché that we see in the editing of Vestris ' text . He had been her producing associate at the Olympic ...
... Lovers , to bed , " but for Kean it was " Lovers , away " [ V.i. 368 ] . It was almost certainly the clever hand of James Robinson Planché that we see in the editing of Vestris ' text . He had been her producing associate at the Olympic ...
Seite 165
... lovers sleeping , exhausted after their chase . A fairy dance and tableau around them ends the third act . Thus we see a literal , pictorial delineation in which each forest scene has its distinct locale ; the lovers ' chase takes them ...
... lovers sleeping , exhausted after their chase . A fairy dance and tableau around them ends the third act . Thus we see a literal , pictorial delineation in which each forest scene has its distinct locale ; the lovers ' chase takes them ...
Seite 293
... lovers , with a secret fear that they are a bore , and to let the clowns loose with free , galumphing feet . The lovers need not be wearisome . As usual , when Shake- speare is writing lovers in sets , the women are better than the men ...
... lovers , with a secret fear that they are a bore , and to let the clowns loose with free , galumphing feet . The lovers need not be wearisome . As usual , when Shake- speare is writing lovers in sets , the women are better than the men ...
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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