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Seite 13
54-5 ] Act 3 commenced , Bassanio , Antonio , and Gratiano , and , in fact , all the characters save Shylock , Tubal , Salarino , and Salanio , were quietly seated in the green - room , when the dread rumble of reiterated plaudits burst ...
54-5 ] Act 3 commenced , Bassanio , Antonio , and Gratiano , and , in fact , all the characters save Shylock , Tubal , Salarino , and Salanio , were quietly seated in the green - room , when the dread rumble of reiterated plaudits burst ...
Seite 92
Some actors become more obstinate as they get older because they rely on the fact that they are box office and one is lucky to have them in the production . On the other hand , some of them are tremendously open to you .
Some actors become more obstinate as they get older because they rely on the fact that they are box office and one is lucky to have them in the production . On the other hand , some of them are tremendously open to you .
Seite 400
But you have to get them speaking the verse in such a way that the audience is not aware of the fact that they're in the presence of an art form . They're only in the presence of naked communication . You have to give them the sense ...
But you have to get them speaking the verse in such a way that the audience is not aware of the fact that they're in the presence of an art form . They're only in the presence of naked communication . You have to give them the sense ...
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Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361361, 9780810361362 |
| Zitat exportieren | BiBTeX EndNote RefMan |