Im Buch
Ergebnisse 1-3 von 82
Seite 141
In the seventeenth and eighteenth centuries , actors and producers often did not even attempt to present the complete comedy ; instead , they extracted one of the several plots to form such new pieces as Bottom the Weaver or The Fairies ...
In the seventeenth and eighteenth centuries , actors and producers often did not even attempt to present the complete comedy ; instead , they extracted one of the several plots to form such new pieces as Bottom the Weaver or The Fairies ...
Seite 308
Nunn also introduced a great deal of slapstick comedy into the presentation , hoping to integrate the pathos of romantic comedy and the silliness of knockabout farce . J. C. Trewin recognized this dichotomy , noting that although the ...
Nunn also introduced a great deal of slapstick comedy into the presentation , hoping to integrate the pathos of romantic comedy and the silliness of knockabout farce . J. C. Trewin recognized this dichotomy , noting that although the ...
Seite 314
al of the text of the ' Taming the Shrew , ' to represent the comedy without any scenery whatever , just as it might have been performed in Shakspeare's time , in a private house , or on the stage before scenes were in use !
al of the text of the ' Taming the Shrew , ' to represent the comedy without any scenery whatever , just as it might have been performed in Shakspeare's time , in a private house , or on the stage before scenes were in use !
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361361, 9780810361362 |
| Zitat exportieren | BiBTeX EndNote RefMan |