Im Buch
Ergebnisse 1-3 von 75
Seite 47
Mr. Komisarjevsky has frankly fantasticated the story of the caskets , beginning each episode with a tableau vivant which has a dainty porcelain grace , and is well enough until the tableau leaves the level of the stage and comes to ...
Mr. Komisarjevsky has frankly fantasticated the story of the caskets , beginning each episode with a tableau vivant which has a dainty porcelain grace , and is well enough until the tableau leaves the level of the stage and comes to ...
Seite 397
The Slyest trick of all is Director Bogdanov's inspired opening , where any resemblance to the traditional Sly beginning is purely coincidental . Although a number of Sly's original lines are retained along with his drunken posture ...
The Slyest trick of all is Director Bogdanov's inspired opening , where any resemblance to the traditional Sly beginning is purely coincidental . Although a number of Sly's original lines are retained along with his drunken posture ...
Seite 432
Similarly in 2 Henry IV , V.iii , when Falstaff - in Gloucestershire - hears that Prince Hal has become king , he rushes off to London ; at the beginning of V.v , in Westminster ( after four lines spoken by the Grooms ) , Falstaff ...
Similarly in 2 Henry IV , V.iii , when Falstaff - in Gloucestershire - hears that Prince Hal has become king , he rushes off to London ; at the beginning of V.v , in Westminster ( after four lines spoken by the Grooms ) , Falstaff ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young