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Seite 169
closer proximity to the audience than was possible in the early nineteenth - century theatre with its broad orchestra pit . Furthermore , their stage should not be encumbered with heavy , realistic scenery , but should be arranged so as ...
closer proximity to the audience than was possible in the early nineteenth - century theatre with its broad orchestra pit . Furthermore , their stage should not be encumbered with heavy , realistic scenery , but should be arranged so as ...
Seite 379
It is obvious , of course , that all theatre exhibits a basic duality such as this — the stage is at once a stage and an imaginative elsewhere ; we accept in the theatre an illusion that is visibly neither real nor realistic .
It is obvious , of course , that all theatre exhibits a basic duality such as this — the stage is at once a stage and an imaginative elsewhere ; we accept in the theatre an illusion that is visibly neither real nor realistic .
Seite 505
From 1591 the company performed at the ROSE THEATRE , moving to the Fortune Theatre in 1600. The detailed financial records of Philip Henslowe , who acted as the company's landlord and financier from 1594 until his death in 1616 ...
From 1591 the company performed at the ROSE THEATRE , moving to the Fortune Theatre in 1600. The detailed financial records of Philip Henslowe , who acted as the company's landlord and financier from 1594 until his death in 1616 ...
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Inhalt
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Urheberrecht | |
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acting action actors Ada Rehan Antonio appeared audience Bassanio beautiful become beginning Bottom called cast character comedy comes comic course court critic dance directed director effect Elizabethan English eyes fact fairies feeling final give given hand Henry idea imagination interest interpretation Irving John less light lines London look lovers manager means Merchant of Venice Midsummer Night's Dream mind Miss moved nature never Oberon once opening original performance perhaps Peter Petruchio piece play players Portia present production Puck reason review date revival role scene seems seen sense Shake Shakespeare Shrew Shylock speak speech spirit stage story Stratford success suggested Taming Theatre theatrical Theseus thing thought tion Titania tradition trial true turned whole wood York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 12 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361361, 9780810361362 |
| Zitat exportieren | BiBTeX EndNote RefMan |