The International Studio, Band 62Charles Holme, Guy Eglington, Peyton Boswell, William Bernard McCormick, Henry James Whigham Offices of the International Studio, 1917 |
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Seite 14
... given here of Mr. Waterhouse's work have been chosen from the productions of his later years , and show the full development and maturity of his powers . Of his earlier paintings many examples have appeared in THE STUDIO from time to ...
... given here of Mr. Waterhouse's work have been chosen from the productions of his later years , and show the full development and maturity of his powers . Of his earlier paintings many examples have appeared in THE STUDIO from time to ...
Seite 31
... given to himself . He invariably watched minutely over the details of every exhibition . Relations were established for the club with artists all over the world , and experiments in the technique of lithography pursued and stimulated ...
... given to himself . He invariably watched minutely over the details of every exhibition . Relations were established for the club with artists all over the world , and experiments in the technique of lithography pursued and stimulated ...
Seite 40
... given up because what results from it is false and misleading . If the noble sentiment of war is perverted into washy sentimentality the artist fails in his mis- sion and makes his achievement worse than valueless . How then is war to ...
... given up because what results from it is false and misleading . If the noble sentiment of war is perverted into washy sentimentality the artist fails in his mis- sion and makes his achievement worse than valueless . How then is war to ...
Seite 42
... Guy Eglington, Peyton Boswell, William Bernard McCormick, Henry James Whigham. " THE BARQUE . " TEMPERA PAINTING BY JOSEPH E. SOUTHALL ( In the possession of Arthur C. Gaskin , Esq . ) I N view of the prominence given by the Press.
... Guy Eglington, Peyton Boswell, William Bernard McCormick, Henry James Whigham. " THE BARQUE . " TEMPERA PAINTING BY JOSEPH E. SOUTHALL ( In the possession of Arthur C. Gaskin , Esq . ) I N view of the prominence given by the Press.
Seite 43
... given by the Press nowadays to the feverish contor- tions and slushy abstractions of the ultra - moderns of art , it is not surprising that few English people outside art circles and visitors to the exhibitions of the New English Art ...
... given by the Press nowadays to the feverish contor- tions and slushy abstractions of the ultra - moderns of art , it is not surprising that few English people outside art circles and visitors to the exhibitions of the New English Art ...
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Häufige Begriffe und Wortgruppen
admirably æsthetic American aquatint architect architecture ARNESBY ARNESBY BROWN Ashikaga Shogunate Autumn beauty building canvas century Cézanne CHAMPLEVÉ character Charles charm Chinese Club collection colour composition craft Critic Dawson decorative drawings effect enamel English Art Club etchings example exhibition expression eyes fact feeling figure France French fresco Gallery of Canada George Gothic hand harmony hôtel Biron Hunt ideal illustrations impression impressionism inspiration interest INTERNATIONAL STUDIO J. W. WATERHOUSE Japan Japanese JOSEPH JOSEPH E Joseph Southall LADY landscape living Mary Sidney medium memorial ment miniature modern Musée Rodin NATHANIEL HONE National Gallery nature NELSON DAWSON OIL PAINTING painters panel Paris period pictorial picture portrait present President prints produced Renaissance represented reproduced Rodin Royal Academy scene School of Art sculpture sense soul SOUTHALL spirit stalls Stanhope Forbes style suggest TEMPERA PAINTING things tion to-day ture water-colour William
Beliebte Passagen
Seite lxxviii - December 28th, 1924, a meeting for the purpose of organizing a linguistic society was held in the American Museum of Natural History, 77th Street and Central Park West, New York City...
Seite lxvi - It is simply the power they have of seeing more than we see and of enabling us, by their expressions, to penetrate further into reality ourselves.
Seite 82 - The Practical Book of Early American Arts and Crafts By HAROLD DONALDSON EBERLEIN and ABBOT McCLURE. Profusely illustrated. Colored frontispiece.
Seite lxvi - It seems as if a great movement were in progress, sweeping us along in its course. To exist is to be alive, to be borne along in the living stream, as it were on the breast of a wave. The actual present now in which all existence is gathered up is this movement accomplishing itself. The past is gathered into it, exists in it, is carried along in it, as it presses forward into the future, which is continually and without intermission becoming actual.
Seite 41 - Its intention is to present good standards in styles applicable to many fields of work, together with brief instructions regarding the drawing of letters.
Seite iii - The destruction caused by war, the wide areas of devastation, the vast mechanical agencies essential in war, both for transport and the offensive, the masses of supplies required, and the wonderful cheerfulness and indomitable courage of the soldiers under varying climatic conditions, are worthy subjects for the artist who aims at recording for all time the spirit of the age in which he has lived.
Seite xxx - Dynasty, who quoted the dictum of the ancient sages "that a poem is a painting without visible shape and a painting is poetry put into form.
Seite lxvi - What is it that we call genius in great painters and poets and musicians ? It is the power they have of seeing more than we see, and of enabling us by their expression to penetrate further into reality. What they see is there to be seen, but only they see it because they are gifted with a higher power than we. What is the more that is revealed to them ? It is not scientific truth, nor is it technical skill, for this is a consequence, not a cause of genius. It is the power to enter by sympathy into...
Seite 157 - ... described In extravagant detail : The Government are offering prizes, amounting in all to not less than £500 (in proportions to be subsequently decided) for a limited number of the most successful models for a small memorial plaque in bronze to be given to the next of kin of those members of His Majesty's naval and military forces who have fallen in the war. The plaque must have an area of as near as possible 1 8 square inches. 1 1 may be a circle of 4 J inches in diameter, or a square of 44...