On Colour: And on the Necessity for a General Diffusion of Taste Among All Classes

according admiration appear Arabs arch architecture arrangement artists Assyria bas-relief beautiful beds better black and white Blue and crimson blue and orange Blue and red Blue and scarlet blue and yellow blue-purple brown buff building Byzantine Byzantine Greeks character Chesnut churches Cimabue combination contrast copy decoration discord drab draperies effect Egypt Egyptian Etruria Etruscans Fcap figures flowers glass windows Greece Greek green wanting grey ground horsechesnut imitation introduced Italian Italy light lilac Lysippus medallions mediæval mosaic nature obelisk objects orange orange harmonise ornamental overpowered patterns picture pink Plates Pliny Pompeii Portrait position Post 8vo Praxiteles primaries proportion purple wanting pyramidion quantity remarkable Roman Saracenic sculpture Second Edition Sect statues stone stone-colour style suited talent taste tea-green Third Edition tion tone vases Vols walls wanting and disagreeable wanting and poor wanting by analogy white harmonise Woodcuts yellow wanting