The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The Production of Culture is timely and relevant. . . . Diana Crane introduces the reader to this busy field of scholarly activity, organizes the strands of theory and empirical research in an orderly fashion, and advances some bold notions about the relationship between organizational ′contexts′ and innovation. --Contemporary Sociology "Crane melds numerous sources concisely and clearly in her argument that cultural forms cannot be understood ′apart from the contexts in which they are produced and consumed.′ . . . looks like a good start to a useful series." --Communication Booknotes "Crane′s overview is clearly written and does an effective job of incorporating concepts and theories from communication, cultural studies, economics, and literature, as well as her home territory, sociology." --Communication Booknotes How does the media shape and frame culture? How does media entertainment vary under different conditions of production and consumption? What types of meanings and ideologies do these modes of production convey, and how do they change over time? How does media culture differ from other forms of recorded culture produced in nonindustrial settings? In The Production of Culture, the inaugural volume in the new Foundations of Popular Culture series, Diana Crane argues that these are the kinds of questions social scientists should concern themselves with. She contends that recorded cultures simply cannot be understood apart from the contexts in which they are produced and consumed. A review and synthesis of the current media literature, Crane′s work examines both the popular and elite levels of media production. This investigation allows readers to understand how the notion of production can change depending on the size of the audience and/or the structure of the cultural industry. A systematic and accessible approach to a complex topic, The Production of Culture will have appeal not only to professors and students of cultural studies, but will also interest those studying sociology and art history. |
Im Buch
Ergebnisse 1-5 von 39
Seite ii
Media and the Urban Arts Diane Crane. FOUNDATIONS OF POPULAR CULTURE Series Editor : GARTH S. JOWETT University of ... Mass Communication by Steve Jones 4. Cultural Criticism : A Primer of Key Concepts by Arthur Asa Berger 5. Advertising ...
Media and the Urban Arts Diane Crane. FOUNDATIONS OF POPULAR CULTURE Series Editor : GARTH S. JOWETT University of ... Mass Communication by Steve Jones 4. Cultural Criticism : A Primer of Key Concepts by Arthur Asa Berger 5. Advertising ...
Seite iv
... of America Library of Congress Cataloging - in - Publication Data Crane , Diana , 1933- The production of culture : media and the urban arts / Diana Crane . p . cm . ( Foundations of popular culture ; v . 1 ) Includes bibliographical ...
... of America Library of Congress Cataloging - in - Publication Data Crane , Diana , 1933- The production of culture : media and the urban arts / Diana Crane . p . cm . ( Foundations of popular culture ; v . 1 ) Includes bibliographical ...
Seite 1
... of structural variables . Recently , media culture has come to be considered more favorably by a younger generation of social scientists . In some recent socio- logical theories , culture , and particularly media culture , has as- sumed ...
... of structural variables . Recently , media culture has come to be considered more favorably by a younger generation of social scientists . In some recent socio- logical theories , culture , and particularly media culture , has as- sumed ...
Seite 2
Media and the Urban Arts Diane Crane. social classes , the prestige of each class was attached to its culture , in terms of a distinct separation between “ high ” culture and " pop- ular " culture ( Angus & Jhally , 1989 ; DiMaggio ...
Media and the Urban Arts Diane Crane. social classes , the prestige of each class was attached to its culture , in terms of a distinct separation between “ high ” culture and " pop- ular " culture ( Angus & Jhally , 1989 ; DiMaggio ...
Seite 3
... of standardization of cultural fare economically feasible be- gan to disappear . The advent of television had a powerful influence on all the entertainment media . Specifically , other media were forced to orient their activities toward ...
... of standardization of cultural fare economically feasible be- gan to disappear . The advent of television had a powerful influence on all the entertainment media . Specifically , other media were forced to orient their activities toward ...
Inhalt
1 | |
13 | |
Audiences in MediaSaturated Societies | 33 |
Chapter 4 The Production of Culture in National Culture Industries | 49 |
Chapter 5 Approaches to the Analysis of Meaning in Media Culture | 77 |
Culture Organizations and Urban Arts Culture | 109 |
Chapter 7 Media Culture Urban Arts Culture and Government Policy | 143 |
Toward Global Culture | 161 |
References | 174 |
Name Index | 187 |
Subject Index | 191 |
About the Author | 198 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
According activities advertising aesthetic American society argues artists audience avant-garde best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant economic effects elite experimental music film industry gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpretation jazz lifestyles mass media meaning media culture middle-class museums musicians national culture industries networks nonprofit novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock rock music role romance novels segments sitcom soap operas social class social groups Sociological specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York