The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The Production of Culture is timely and relevant. . . . Diana Crane introduces the reader to this busy field of scholarly activity, organizes the strands of theory and empirical research in an orderly fashion, and advances some bold notions about the relationship between organizational ′contexts′ and innovation. --Contemporary Sociology "Crane melds numerous sources concisely and clearly in her argument that cultural forms cannot be understood ′apart from the contexts in which they are produced and consumed.′ . . . looks like a good start to a useful series." --Communication Booknotes "Crane′s overview is clearly written and does an effective job of incorporating concepts and theories from communication, cultural studies, economics, and literature, as well as her home territory, sociology." --Communication Booknotes How does the media shape and frame culture? How does media entertainment vary under different conditions of production and consumption? What types of meanings and ideologies do these modes of production convey, and how do they change over time? How does media culture differ from other forms of recorded culture produced in nonindustrial settings? In The Production of Culture, the inaugural volume in the new Foundations of Popular Culture series, Diana Crane argues that these are the kinds of questions social scientists should concern themselves with. She contends that recorded cultures simply cannot be understood apart from the contexts in which they are produced and consumed. A review and synthesis of the current media literature, Crane′s work examines both the popular and elite levels of media production. This investigation allows readers to understand how the notion of production can change depending on the size of the audience and/or the structure of the cultural industry. A systematic and accessible approach to a complex topic, The Production of Culture will have appeal not only to professors and students of cultural studies, but will also interest those studying sociology and art history. |
Im Buch
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Seite 1
... change over time ? How can the audience for media culture be characterized ? How does media culture differ from other forms of recorded culture that are produced in nonindustrial settings ? In the past , most discussions of recorded ...
... change over time ? How can the audience for media culture be characterized ? How does media culture differ from other forms of recorded culture that are produced in nonindustrial settings ? In the past , most discussions of recorded ...
Seite 4
... changes the character of what is being transmitted in certain ways . Finally , it is impossible to understand the nature and role of recorded culture in contemporary society without examining the characteristics of the organizations in ...
... changes the character of what is being transmitted in certain ways . Finally , it is impossible to understand the nature and role of recorded culture in contemporary society without examining the characteristics of the organizations in ...
Seite 7
... change . As opposed to older conceptions of popular culture and high culture , these genres contain material that attracts a variety of publics , the members of which differ in terms of their level of interest and commitment to that ...
... change . As opposed to older conceptions of popular culture and high culture , these genres contain material that attracts a variety of publics , the members of which differ in terms of their level of interest and commitment to that ...
Seite 10
... changes in the nature of work and the economy that make cultural choices increasingly independent of occupational ... change or , more often , the appearance of cultural change . Cultural information that is already familiar because of ...
... changes in the nature of work and the economy that make cultural choices increasingly independent of occupational ... change or , more often , the appearance of cultural change . Cultural information that is already familiar because of ...
Seite 11
... changes in the relationship between a specific medium and its audience or changes in the relationships between a specific medium and other media affect the ideological content and style of the cultural products it disseminates ? How ...
... changes in the relationship between a specific medium and its audience or changes in the relationships between a specific medium and other media affect the ideological content and style of the cultural products it disseminates ? How ...
Inhalt
1 | |
13 | |
Audiences in MediaSaturated Societies | 33 |
Chapter 4 The Production of Culture in National Culture Industries | 49 |
Chapter 5 Approaches to the Analysis of Meaning in Media Culture | 77 |
Culture Organizations and Urban Arts Culture | 109 |
Chapter 7 Media Culture Urban Arts Culture and Government Policy | 143 |
Toward Global Culture | 161 |
References | 174 |
Name Index | 187 |
Subject Index | 191 |
About the Author | 198 |
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