The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptSilman-James Press, 1994 - 194 Seiten The Bible is five books bound into a single volume. -- a screenwriting primer (provides a concise presentation of screenwriting basics) -- a formatting guide (presents both correct screenplay and teleplay formats) -- a screenwriting workbook (the writing process, from nascent ideas to revisions) -- a sales and marketing guide (offers a marketing plan and sales strategies) -- a resource guide (provides contacts for industry organizations, guilds and unions, schools, publications, support groups and services, contests, etc.) |
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Seite 24
... plot and the inside / emotional plot . I'm using the word " plot " as a noun here . The verb to plot is a creative process that uses character and story structure . When all the plotting is over , you end up with a plot and several ...
... plot and the inside / emotional plot . I'm using the word " plot " as a noun here . The verb to plot is a creative process that uses character and story structure . When all the plotting is over , you end up with a plot and several ...
Seite 26
... plot is a Character - Wins Plot and that the realization of her need is merely a subplot that supports the goal . ) Other examples : THE PRINCE OF TIDES — Nick Nolte learns he wants to live with his family . In CITY SLICKERS , Billy ...
... plot is a Character - Wins Plot and that the realization of her need is merely a subplot that supports the goal . ) Other examples : THE PRINCE OF TIDES — Nick Nolte learns he wants to live with his family . In CITY SLICKERS , Billy ...
Seite 27
... plot and the op- posing character's plot . The unity exists when the two plots are in direct opposition to each other , and compromise is impossible , insuring a struggle to the end . For example , in FATAL ATTRACTION , a married man ...
... plot and the op- posing character's plot . The unity exists when the two plots are in direct opposition to each other , and compromise is impossible , insuring a struggle to the end . For example , in FATAL ATTRACTION , a married man ...
Inhalt
How to Write a ScreenplayA Primer | 3 |
Correct Format for Screenplays | 57 |
The cover title page first page and last page | 66 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
acter action actors agent audience backstory beginning Big Event Blvd Book Calcutta camera directions Catalyst central character CHARLIE CHECKPOINT classroom comedy concept conflict create creative Crisis DAVID TROTTIER dialogue director double-space dramatic editing directions emotional example feel film FLASHBACK flaw format genre give goal going Goldie Hawn Harrison Ford Here's Hollywood ideas Ilsa INTERCUT Jonathan Stark Keep in mind look master scene heading MATCH CUT Michael Douglas MONTAGE motivation movie opposition paragraph person pitch plot problem producers professional professor query letter reader realizes sample scenes screen screenplay Screenwriter's screenwriting sell your script shooting script shot Showdown sitcom spec script starlight mints step subplots subtext swagger stick teleplay television tell THELMA & LOUISE thing thriller tion visual William Froug WIZARD OF OZ woman words Writers Guild