The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptThe Bible is five books bound into a single volume. -- a screenwriting primer (provides a concise presentation of screenwriting basics) -- a formatting guide (presents both correct screenplay and teleplay formats) -- a screenwriting workbook (the writing process, from nascent ideas to revisions) -- a sales and marketing guide (offers a marketing plan and sales strategies) -- a resource guide (provides contacts for industry organizations, guilds and unions, schools, publications, support groups and services, contests, etc.) |
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Obvi- ously , the primary opposition character must be introduced as well . This person does not have to appear as early , but could . Dramatic choice . The protagonist is the good guy or hero , while the antagonist is the bad guy .
Obvi- ously , the primary opposition character must be introduced as well . This person does not have to appear as early , but could . Dramatic choice . The protagonist is the good guy or hero , while the antagonist is the bad guy .
Seite 20
This flaw serves as the inner opposition to the inner need . This character flaw is obvious to the audience , be- cause we see the character hurting people , including himself . The flaw is almost always a form of selfishness , pride ...
This flaw serves as the inner opposition to the inner need . This character flaw is obvious to the audience , be- cause we see the character hurting people , including himself . The flaw is almost always a form of selfishness , pride ...
Seite 29
A GOAL AND AN OPPOSITION Your character wants a goal . A dramatic goal is specific and measurable . Dealing with life is not a goal . Happiness is not a goal . Seeking $ 10 million worth of doubloons on an old Spanish shipwreck off the ...
A GOAL AND AN OPPOSITION Your character wants a goal . A dramatic goal is specific and measurable . Dealing with life is not a goal . Happiness is not a goal . Seeking $ 10 million worth of doubloons on an old Spanish shipwreck off the ...
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LibraryThing Review
Nutzerbericht - jakohnen - LibraryThingI've learned so much from this book! It's definitely not just for screenwriters. It holds valuable information about breaking down your story in a timely manner, from beginning to end, using movie examples. It focuses on how to create a good, successful story. Another of my favorites! Vollständige Rezension lesen
Inhalt
How to Write a ScreenplayA Primer | 3 |
Correct Format for Screenplays | 57 |
The cover title page first page and last page | 66 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent appear audience becomes beginning Big Event Book break Calcutta camera central character character's classroom comedy comes complete concept create creative Crisis deal dialogue directions director Don't editing emotional example fact feel final follows format genre give goal going Guild happen heading Here's Hollywood ideas important interest It's Keep later letter look master scene means meeting middle mind motivation moves movie Note Once opposition person pitch plot present problem producers professional professor query question reader realizes reference sample scene screen screenplay screenwriting script sell shot sometimes spec step story television tell thing thought turns usually visual voice woman writing written
Bibliografische Informationen
| Titel | The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script |
| Autor/in | David Trottier |
| Ausgabe | Neuauflage, überarbeitet |
| Verlag | Silman-James Press, 1994 |
| ISBN | 1879505266, 9781879505261 |
| Länge | 194 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |