The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptThe Bible is five books bound into a single volume. -- a screenwriting primer (provides a concise presentation of screenwriting basics) -- a formatting guide (presents both correct screenplay and teleplay formats) -- a screenwriting workbook (the writing process, from nascent ideas to revisions) -- a sales and marketing guide (offers a marketing plan and sales strategies) -- a resource guide (provides contacts for industry organizations, guilds and unions, schools, publications, support groups and services, contests, etc.) |
Im Buch
Ergebnisse 1-3 von 24
Seite 13
Much of screenwriting is setting things up for a later payoff . HIGH NOON is a wonderful example of foreshadowing . The audience is made aware of the terrible thing that might happen at high noon . This foreshadowing helps moti- vate ...
Much of screenwriting is setting things up for a later payoff . HIGH NOON is a wonderful example of foreshadowing . The audience is made aware of the terrible thing that might happen at high noon . This foreshadowing helps moti- vate ...
Seite 53
A couple of years later , we sent up another shuttle . Do you recall the suspense you felt as the countdown proceeded on this later shuttle mis- sion ? That heightened suspense was due to the prior establishment of terrible conse- ...
A couple of years later , we sent up another shuttle . Do you recall the suspense you felt as the countdown proceeded on this later shuttle mis- sion ? That heightened suspense was due to the prior establishment of terrible conse- ...
Seite 72
RICK'S PLACE - LATER But we can probably get away with just : LATER Another advantage of using secondary headings is you can direct the camera without using camera terms . Suppose you want to focus on characters in an intense scene .
RICK'S PLACE - LATER But we can probably get away with just : LATER Another advantage of using secondary headings is you can direct the camera without using camera terms . Suppose you want to focus on characters in an intense scene .
Was andere dazu sagen - Rezension schreiben
Rezensionen werden nicht überprüft, Google sucht jedoch gezielt nach gefälschten Inhalten und entfernt diese
LibraryThing Review
Nutzerbericht - jakohnen - LibraryThingI've learned so much from this book! It's definitely not just for screenwriters. It holds valuable information about breaking down your story in a timely manner, from beginning to end, using movie examples. It focuses on how to create a good, successful story. Another of my favorites! Vollständige Rezension lesen
Inhalt
How to Write a ScreenplayA Primer | 3 |
Correct Format for Screenplays | 57 |
The cover title page first page and last page | 66 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent appear audience becomes beginning Big Event Book break Calcutta camera central character character's classroom comedy comes complete concept create creative Crisis deal dialogue directions director Don't editing emotional example fact feel final follows format genre give goal going Guild happen heading Here's Hollywood ideas important interest It's Keep later letter look master scene means meeting middle mind motivation moves movie Note Once opposition person pitch plot present problem producers professional professor query question reader realizes reference sample scene screen screenplay screenwriting script sell shot sometimes spec step story television tell thing thought turns usually visual voice woman writing written
Bibliografische Informationen
| Titel | The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script |
| Autor/in | David Trottier |
| Ausgabe | Neuauflage, überarbeitet |
| Verlag | Silman-James Press, 1994 |
| ISBN | 1879505266, 9781879505261 |
| Länge | 194 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |