The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptThe Bible is five books bound into a single volume. -- a screenwriting primer (provides a concise presentation of screenwriting basics) -- a formatting guide (presents both correct screenplay and teleplay formats) -- a screenwriting workbook (the writing process, from nascent ideas to revisions) -- a sales and marketing guide (offers a marketing plan and sales strategies) -- a resource guide (provides contacts for industry organizations, guilds and unions, schools, publications, support groups and services, contests, etc.) |
Im Buch
Ergebnisse 1-3 von 16
Seite 6
The second major turning point moves the reader into Act 3 and the final showdown . This is the Crisis . Of all the crises in your story , this is the one that forces the central character to take the last final action , or series of ...
The second major turning point moves the reader into Act 3 and the final showdown . This is the Crisis . Of all the crises in your story , this is the one that forces the central character to take the last final action , or series of ...
Seite 7
What follows is the last , final struggle to get home . You have a similar low point in THELMA & LOUISE . How will they ever escape the law now ? In SLEEPLESS IN SEATTLE , you feel pretty low when Meg Ryan announces that Tom Hanks is ...
What follows is the last , final struggle to get home . You have a similar low point in THELMA & LOUISE . How will they ever escape the law now ? In SLEEPLESS IN SEATTLE , you feel pretty low when Meg Ryan announces that Tom Hanks is ...
Seite 15
There's something you should know about the final act . It's not mandatory to have car chases and car crashes in it . In MOONSTRUCK , everyone simply gathers around the breakfast table . It's the big scene at the end - the biggest scene ...
There's something you should know about the final act . It's not mandatory to have car chases and car crashes in it . In MOONSTRUCK , everyone simply gathers around the breakfast table . It's the big scene at the end - the biggest scene ...
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LibraryThing Review
Nutzerbericht - jakohnen - LibraryThingI've learned so much from this book! It's definitely not just for screenwriters. It holds valuable information about breaking down your story in a timely manner, from beginning to end, using movie examples. It focuses on how to create a good, successful story. Another of my favorites! Vollständige Rezension lesen
Inhalt
How to Write a ScreenplayA Primer | 3 |
Correct Format for Screenplays | 57 |
The cover title page first page and last page | 66 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
action agent appear audience becomes beginning Big Event Book break Calcutta camera central character character's classroom comedy comes complete concept create creative Crisis deal dialogue directions director Don't editing emotional example fact feel final follows format genre give goal going Guild happen heading Here's Hollywood ideas important interest It's Keep later letter look master scene means meeting middle mind motivation moves movie Note Once opposition person pitch plot present problem producers professional professor query question reader realizes reference sample scene screen screenplay screenwriting script sell shot sometimes spec step story television tell thing thought turns usually visual voice woman writing written
Bibliografische Informationen
| Titel | The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script |
| Autor/in | David Trottier |
| Ausgabe | Neuauflage, überarbeitet |
| Verlag | Silman-James Press, 1994 |
| ISBN | 1879505266, 9781879505261 |
| Länge | 194 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |