The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your ScriptSilman-James Press, 1994 - 194 Seiten The Bible is five books bound into a single volume. -- a screenwriting primer (provides a concise presentation of screenwriting basics) -- a formatting guide (presents both correct screenplay and teleplay formats) -- a screenwriting workbook (the writing process, from nascent ideas to revisions) -- a sales and marketing guide (offers a marketing plan and sales strategies) -- a resource guide (provides contacts for industry organizations, guilds and unions, schools, publications, support groups and services, contests, etc.) |
Im Buch
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Seite 20
... Emotional Story usually derives from a relationship and is generally driven by the need . It is sometimes referred to as the heart of the story or the emotional through - line . To find the Inside / Emotional Story , look in the ...
... Emotional Story usually derives from a relationship and is generally driven by the need . It is sometimes referred to as the heart of the story or the emotional through - line . To find the Inside / Emotional Story , look in the ...
Seite 21
... Emotional Story is driven by his need for a family . The action is what keeps us interested , but the emotion is what touches us . Although there are exceptions , the Inside / Emotional Story is what the movie is really about . The ...
... Emotional Story is driven by his need for a family . The action is what keeps us interested , but the emotion is what touches us . Although there are exceptions , the Inside / Emotional Story is what the movie is really about . The ...
Seite 123
... emotional subplot . Look at your other movie people ; identify their goals . Their goals will drive their individual plots ( actually subplots ) . Do these various plot lines intersect , result- ing in adequate conflict for drama or ...
... emotional subplot . Look at your other movie people ; identify their goals . Their goals will drive their individual plots ( actually subplots ) . Do these various plot lines intersect , result- ing in adequate conflict for drama or ...
Inhalt
How to Write a ScreenplayA Primer | 3 |
Correct Format for Screenplays | 57 |
The cover title page first page and last page | 66 |
Urheberrecht | |
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and ... David Trottier Keine Leseprobe verfügbar - 1998 |
Häufige Begriffe und Wortgruppen
acter action actors agent audience backstory beginning Big Event Blvd Book Calcutta camera directions Catalyst central character CHARLIE CHECKPOINT classroom comedy concept conflict create creative Crisis DAVID TROTTIER dialogue director double-space dramatic editing directions emotional example feel film FLASHBACK flaw format genre give goal going Goldie Hawn Harrison Ford Here's Hollywood ideas Ilsa INTERCUT Jonathan Stark Keep in mind look master scene heading MATCH CUT Michael Douglas MONTAGE motivation movie opposition paragraph person pitch plot problem producers professional professor query letter reader realizes sample scenes screen screenplay Screenwriter's screenwriting sell your script shooting script shot Showdown sitcom spec script starlight mints step subplots subtext swagger stick teleplay television tell THELMA & LOUISE thing thriller tion visual William Froug WIZARD OF OZ woman words Writers Guild