Im Buch
Ergebnisse 1-3 von 14
Seite 289
It is the generality of trauma that LaCapra wants to avoid by establishing a precise or “ correct distance ” between what he calls structural and historical trauma - a distance that maintains clear distinctions and avoids the ...
It is the generality of trauma that LaCapra wants to avoid by establishing a precise or “ correct distance ” between what he calls structural and historical trauma - a distance that maintains clear distinctions and avoids the ...
Seite 322
a " 1 Viggo Mortensen's Tom Stall is a man who wants to leave a gangster's life of violence behind , and in Eastern ... But we want to explore one central feature of this shift in Cronenberg's approach to the grotesque : the change in ...
a " 1 Viggo Mortensen's Tom Stall is a man who wants to leave a gangster's life of violence behind , and in Eastern ... But we want to explore one central feature of this shift in Cronenberg's approach to the grotesque : the change in ...
Seite 351
At the same time , however , the French authorities did not want cinematic images to have a subversive effect on either ... colonial media history who wants to dig deeper into the complex machinations of the colonial media apparatus .
At the same time , however , the French authorities did not want cinematic images to have a subversive effect on either ... colonial media history who wants to dig deeper into the complex machinations of the colonial media apparatus .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing