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Nikolai performs what Lacan would call a kind of becoming feminine , embodying a feminine agency / sexuation we can call that of going all the way into the symbolic order . Here Cronenberg seems to confirm Slavoj Žižek , who , when in ...
Nikolai performs what Lacan would call a kind of becoming feminine , embodying a feminine agency / sexuation we can call that of going all the way into the symbolic order . Here Cronenberg seems to confirm Slavoj Žižek , who , when in ...
Seite 332
Lacan claimed that all men ( and women ) who enter into the Symbolic must suffer castration , the problem not really being the castration but the neurotic ( or perverse ) refusal to accept the situation , to accept the limitation of ...
Lacan claimed that all men ( and women ) who enter into the Symbolic must suffer castration , the problem not really being the castration but the neurotic ( or perverse ) refusal to accept the situation , to accept the limitation of ...
Seite 337
13 This kind of action , a genuinely subversive action , is typically an action Lacan associates with feminine sexuation , which functions through a comic or ironic ( if also fated ) “ total inhabitation ” of the symbolic order .
13 This kind of action , a genuinely subversive action , is typically an action Lacan associates with feminine sexuation , which functions through a comic or ironic ( if also fated ) “ total inhabitation ” of the symbolic order .
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |