Discourse, Band 32,Ausgabe 32010 |
Im Buch
Ergebnisse 1-3 von 21
Seite 302
... Surveillance has long been a recurrent theme in cinematic nar- rative , and the recent spate of films organized around the tech- nologies , violences , and productive possibilities of surveillance and documentation has considerably ...
... Surveillance has long been a recurrent theme in cinematic nar- rative , and the recent spate of films organized around the tech- nologies , violences , and productive possibilities of surveillance and documentation has considerably ...
Seite 303
... surveillance as well as cinematic representations of surveillance : that surveillance both defines and is defined by the technologies and subjects it incorporates . Strange Days serves as a critical meditation on this seemingly circular ...
... surveillance as well as cinematic representations of surveillance : that surveillance both defines and is defined by the technologies and subjects it incorporates . Strange Days serves as a critical meditation on this seemingly circular ...
Seite 310
... surveillance tasks . " 12 While that statement leaves it - perhaps tellingly - rather vague as to exactly how the SQUID can be used as surveillance , the connections to the fictionalized uses of SQUID in Bigelow's film are clearly based ...
... surveillance tasks . " 12 While that statement leaves it - perhaps tellingly - rather vague as to exactly how the SQUID can be used as surveillance , the connections to the fictionalized uses of SQUID in Bigelow's film are clearly based ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman