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Seite 307
Ultimately I want to suggest that technologized memory becomes its own peculiar racial formation in the film and points to the manner in which time - based surveillance technologies have established a historical circularity between ...
Ultimately I want to suggest that technologized memory becomes its own peculiar racial formation in the film and points to the manner in which time - based surveillance technologies have established a historical circularity between ...
Seite 316
... to also suggest how “ time has always put the notion of truth into crisis . " 19 In going on to advocate cinema that deploys “ realist ” techniques in the service of producing both fiction and documentary films , Deleuze points to ...
... to also suggest how “ time has always put the notion of truth into crisis . " 19 In going on to advocate cinema that deploys “ realist ” techniques in the service of producing both fiction and documentary films , Deleuze points to ...
Seite 332
That her action ( rescuing a baby ) is typically “ feminine ” does not suggest softness or sentimentality , but functions as proof that Cronenberg has invested this woman with full agency trast to a bland feminism that demands that real ...
That her action ( rescuing a baby ) is typically “ feminine ” does not suggest softness or sentimentality , but functions as proof that Cronenberg has invested this woman with full agency trast to a bland feminism that demands that real ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |