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It is the generality of trauma that LaCapra wants to avoid by establishing a precise or “ correct distance ” between what he calls structural and historical trauma - a distance that maintains clear distinctions and avoids the ...
It is the generality of trauma that LaCapra wants to avoid by establishing a precise or “ correct distance ” between what he calls structural and historical trauma - a distance that maintains clear distinctions and avoids the ...
Seite 290
the exposure of this exposure , which is also to say that any occurrence of “ historical ” trauma exposes the thorough contamination of that category by " structural ” trauma , an exposure that displaces the binary distinction to which ...
the exposure of this exposure , which is also to say that any occurrence of “ historical ” trauma exposes the thorough contamination of that category by " structural ” trauma , an exposure that displaces the binary distinction to which ...
Seite 297
There is an implicit urgency in the use of such “ necessities ” as structural supports — as if the trauma of the archive were sufficient to override even the most basic laws of utility . Yet with equal urgency , the presence at hand of ...
There is an implicit urgency in the use of such “ necessities ” as structural supports — as if the trauma of the archive were sufficient to override even the most basic laws of utility . Yet with equal urgency , the presence at hand of ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |