Im Buch
Ergebnisse 1-3 von 15
Seite 276
The Anti - Language of New Media Alexander R. Galloway T. J. Clark observed once , with the simple voice of experience , that in Courbet the entire world is one of proximity ; the paintable is that thing , that space , that can be ...
The Anti - Language of New Media Alexander R. Galloway T. J. Clark observed once , with the simple voice of experience , that in Courbet the entire world is one of proximity ; the paintable is that thing , that space , that can be ...
Seite 281
( Then of course beyond this one might also speak about the autonomous space of language , in for example textuality , as a space of interconnection and deferral of meaning , and so on . ) A calculus operates at the level of computation ...
( Then of course beyond this one might also speak about the autonomous space of language , in for example textuality , as a space of interconnection and deferral of meaning , and so on . ) A calculus operates at the level of computation ...
Seite 285
Sympathetic Conditions : Toward a New Ontology of Trauma Marija Cetinic Entering the space we have heard about but rarely known : this underground . Here one breathes in an uncanny and unstable aura of resistance , wary hope ...
Sympathetic Conditions : Toward a New Ontology of Trauma Marija Cetinic Entering the space we have heard about but rarely known : this underground . Here one breathes in an uncanny and unstable aura of resistance , wary hope ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing