Im Buch
Ergebnisse 1-3 von 26
Seite 312
While the leap might seem quite a liberty , it is relevantly symptomatic . ... a scene that seems to undo all the promise of incisive commentary on representations of racial violence that the film has insistently highlighted .
While the leap might seem quite a liberty , it is relevantly symptomatic . ... a scene that seems to undo all the promise of incisive commentary on representations of racial violence that the film has insistently highlighted .
Seite 313
This real time is not , as it may seem to be , Mace's reference to an unmediated “ reality , ' but a reference to the ... And this is why the end seems simultaneously more " unrealistic ” and more “ unsatisfactory ” ( in opposition to ...
This real time is not , as it may seem to be , Mace's reference to an unmediated “ reality , ' but a reference to the ... And this is why the end seems simultaneously more " unrealistic ” and more “ unsatisfactory ” ( in opposition to ...
Seite 322
But we want to explore one central feature of this shift in Cronenberg's approach to the grotesque : the change in gender roles that seems to accompany it . Whereas in almost all previous Cronenberg films the protagonists are masculine ...
But we want to explore one central feature of this shift in Cronenberg's approach to the grotesque : the change in gender roles that seems to accompany it . Whereas in almost all previous Cronenberg films the protagonists are masculine ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |