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This is a move away from the representation of subjectivity ( “ because ” as Foster writes , “ the real cannot be represented ; indeed , it is defined as such , as the negative of the symbolic , a missed encounter , a lost object ” lo ) ...
This is a move away from the representation of subjectivity ( “ because ” as Foster writes , “ the real cannot be represented ; indeed , it is defined as such , as the negative of the symbolic , a missed encounter , a lost object ” lo ) ...
Seite 306
The circularity of the film's narrative signals the particular manner in which surveillance and representation have functioned in tandem with these formations . Drawing together the fictional cinematic text of Strange Days with the ...
The circularity of the film's narrative signals the particular manner in which surveillance and representation have functioned in tandem with these formations . Drawing together the fictional cinematic text of Strange Days with the ...
Seite 317
24 In order to undo or render productive the multiple forms of violence that constitute the conclusion of Strange Days — that which is represented explicitly ( Mace's beating ) and that which inheres in the repression of representation ...
24 In order to undo or render productive the multiple forms of violence that constitute the conclusion of Strange Days — that which is represented explicitly ( Mace's beating ) and that which inheres in the repression of representation ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |