Discourse, Band 32,Ausgabe 32010 |
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Seite 288
... representation of subjec- tivity ( “ because " as Foster writes , " the real cannot be represented ; indeed , it is defined as such , as the negative of the symbolic , a missed encounter , a lost object " 10 ) and a move toward an under ...
... representation of subjec- tivity ( “ because " as Foster writes , " the real cannot be represented ; indeed , it is defined as such , as the negative of the symbolic , a missed encounter , a lost object " 10 ) and a move toward an under ...
Seite 315
... representation that follows it . And this returns us to the produc- tion of representations and mediations — the technologies around and through which the narrative of Strange Days circulates . Earlier I argue that the film is less ...
... representation that follows it . And this returns us to the produc- tion of representations and mediations — the technologies around and through which the narrative of Strange Days circulates . Earlier I argue that the film is less ...
Seite 317
... representation ( the " peace- ful " resolution ) —there must be a production of creative access to the series of representations and technologies - the interpenetrat- ing powers of that violence . The fact that Deleuze believes the ...
... representation ( the " peace- ful " resolution ) —there must be a production of creative access to the series of representations and technologies - the interpenetrat- ing powers of that violence . The fact that Deleuze believes the ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman